it was bapu's final film he had directed. See the sweat from Maestro, despite no one caring to listen all these intricacies. The soundtrack features 27 songs, with the musical score primarily composed by Ghantasala and KV Mahadevan, and the lyrics by Vempati Sadasiva and Samudrala Raghavacharya (Telugu) and Maruthakasi (Tamil). Again this western instrument was never out of place here as the tone is such, it gels with other instruments. Sri Rama Paramdhama MP3 Song by P Leela from the Telugu movie Lava Kusa. are very good. I will try to narrate each section along with detailing the score side by side. This episode is special not just because it is a climax, but this is the first time in years Sita and Rama meet each other. Their story is recounted in the Hindu epic, Ramayana and its other versions. Lava-Kusa asks Sita if Rama is their father. that’s a very different sound, tearing our heart strings) (@7:08-7:37) when Sita surrenders to Rama’s arrow, followed by the violins take off (@7:38-7:48) when Sita ask Rama’s blessings to come out this danger. Since Lava-Kusa had a bad experience in Ayodhya, they started making ridiculing Rama and Lakshmana. Later she gives birth at Ashram to twins; Lava and Kusa. The film has 37 songs and Poems (Padyam), many are very popular and memorable. So the veena effectively conveys her ‘singular’ emotions. He starts the score exactly when (3:11-3:52) they express their unhappiness over Rama abandoning Sita. The film was Bapu's final directional venture. The fire at the foreground tells his burning desire to meet them, as he indirectly questions the God. [3], Kanta Rao was cast for the role of Lakshmana. It is "Lava Kusa version 2". The melody from the solo violin and veena is something we don’t get to hear even in his songs. There she is protected by Valmiki and given shelter in his Ashram. Hanuman could not bear this any more rushes (for the first time as real hanuman, remember he was adorning the ashram as a kid so far) to Sita to inform her about the danger of war between Rama and his sons. [17] Debutant Jaya Sreesivan named his 2015 comedy film as Lava Kusa which had no similarity with the film. He then thanks Sita as Maestro gets ready to play the devuLLe mechchindi theme (nee needaga saaguninka jaanaki yani..sreekaram manOharam id veedani priya bandhamani’) starting from second interlude (@9:46). Recounted in the Hindu epic, Ramayana and its other versions. Veena plays that divine theme to perfection (@10:00-10:35), as Rama approaches Sita and Sita turns away. [2], Lava Kusa was filmed as a bilingual in Telugu and Tamil languages with differences in casting. Here is the Sri Rama Rajyam music review… Take a look!!! It was later remade in Telugu as Sri Rama Rajyam. Please hear the score from 0:03 – 0:37 for the Sri Rama Lera theme. We also hear the violins midly playing at the background, reminder her that is that her only wish? Rama tells for a king of Ayodhya everybody is his children. Positive Points: *) Bapu-Ramana's combined presentation is very nice. they only got back series of arrows from Lava-Kusa which forced them to run behind Lakshmana. A special mention goes to the film Sri Rama Rajyam, which was released recently in 2011. Maruthakasi. Nandamuri Balakrishna as Sri Rama. Rama decided to conduct an Ashwamedha Yagna – Horse Sacrifice. I am so moved by this theme, especially at this juncture. So dreamy to hear this mini-symphony. Maestro plays melodic strains of violins (4:16-4:52) with cellos acting as staccato points to mark the aggression/ friction between Rama and Lava-Kusa. Narasimha Reddy advised him to consider Pullaiah's son C. S. When Rama calls ‘PranEshwari’ (his love and soul), piano enters to chromatic mode (@8:37) indicating the colors of love from Rama. Can this be even dream-able by any composer other than Maestro? [16] Bapu used Lava Kusa's storyline in his 2011 film, Sri Rama Rajyam. This movie is the remake of old super hit classical film ``Lava Kusa`` and the plot is derived from Uttara Kanda which concerns the rule of Lord Rama after killing Raavana who has abducted his wife Seetha. 1. Maestro ILaiyaraaja, a Nostradamus in music! *) Statues (Lord Surya, Surya vamsa people, Lord Rama in Valmiki ashramam, etc.) The story is basically the later part of Ramayana written by Valmiki Maharshi when Rama sent Sita to forest and later how the twin boys of Rama – Lava and Kusa reach Ayodhya and later Sita joins her Bhoodevi in the … [2], —Nagaraju, in an interview with The Times of India in April 2013. When Bapu is narrating the visuals brilliantly hear how Maestro complements the scene by narrating the scene further with his music. The film depicts Rama's (Balakrishna) rule of Ayodhya after he rescues Sita (Nayanthara) from Ravana, his separation from Sita and her reclusive life in the forest as she raises their children Lava and Kusa. One should note here that Maestro does not score continuously as he has all the opportunity to score. Kusha or Kusa (Sanskrit: कुश) and his twin brother Lava were the children of Rama and Sita. Unless the scene is narrated it is difficult to appreciate the score. The score is not a continuous one (a speciality of Maestro), it will have its silence at appropriate places and an intense score at other places depending on the intensity of the scenes. As Sita reciprocates with a ‘namaskaaram’ without even looking at him, violin gently sweeps and weeps like Sita, as Sita knows what is going to happen next. [2] The remake, also titled Lava Kusa,[2] is the first full-length colour film of Telugu cinema. Bapu switches the scene rapidly from war front to Sita’s Ashram. Director. Ramayana: The Legend of Prince Rama- 1992, Japanese animated film releases in Hindi, English and Japanese languages. He does not know he is the father of two kids. The solo violin (@6:43-6:52) when Sita was stopped by hermits’ wives and Sita explaining her circumstance, followed by harp (@6:53-6:59) when Sita prays to Goddess Lalitha, followed by thundering trumpets (@7:03) when Rama picks his first arrow, followed by melancholy veena (? The story is an adaptation of … Lava and Kusha meet Rama. [2], The production costs escalated because of Sankara Reddy's decision to make the film in colour. are very good. Now the transition happens from ashram from war-front (7:50-8:05) with the help of just sustained cymbal clashes (in addition to sound effects). On Twitter, Junior NTR unveiled the motion poster of his upcoming film, Jai Lava Kusa Isn’t amazing? A special mention goes to the film Sri Rama Rajyam, which was released recently in 2011. This modern age of films, where no mythological films are to be seen, director Bapu came up with the same story of Uttara Rama Charitra and made Sri Rama Rajyam with stars like Balakrishna and Nayanatara. Rama hugs them and feels the fragrance of his sons for the first time. Rama orders them to release the horse, but they deny and asks Rama to fight and win them to claim the horse. Added in 24 Hours. Rama warns them to first learn the strength of their opponent before waging a war. It did not take much time for Lava and Kusha to vanquish the whole army. Please tell me honestly. Please don’t miss this. No matter how much you try to eliminate any comparison between Lava Kusa and Sri Rama Rajyam, comparison becomes inevitable. After Rama (Balakrishna) and Sita (Nayanatara) get back from Lanka, the … This is another perfect example how he narrates the scene musically even when there are no dialogues. Sita unable to decide falls to Goddess Lalitha to seek her guidance. English Articles. Maestro Ilayaraja scored the music. Rama again guesses that they must be someone sent by Lord Brahmma. The cellos backing up with playing chords at regular intervals. Bapu pans the camera from top angle as he moves and turns 180 degrees to focus Rama from behind to get the glimpse of Sun God. Sri Rama Rajyam (9) IMDb 6.7 2h 52min 2011 ALL Winner of seven Nandi awards, Sri Rama Rajyam is based on the epic Ramayana. He also warns that his weapon ‘Raama baanam’ is more powerful than any weapon in the world in an authoritative tone. The credit to this triumph goes to a man who could think of the whole rather than the … Sita is lonely as she is caught between her sons and her husband which is clearly reflected in the melody of the solo violin. It was also dubbed in Kannada, and later in Hindi in 1974. This song written in the lines of the classic vinuDu vinuDu from Lava Kusa, explains rAmAyaNa from the birth of rAma till the sItArAma swayamvaram. This episode is dedicated to #365RajaQuiz (365rajaquiz.wordpress.com). [7], The film ran for 75 weeks uninterruptedly. [3] When the scene of Rama embracing his sons was filmed, Pullaiah arranged two small tables and asked Rama Rao to hug Nagaraju and Subrahmanyam, who were standing on them. After its completion, she had to console him for almost fifteen minutes. Sri Rama Rajyam - Movie Review 'Uttara Kaanda' in Ramayana is the last of 7 chapters, ... of the 1963 movie Lava Kusa of which this is a remake, the passing away of Ramana (co-writer), the protests against Nayanthara playing Sita and this being touted as … Adding to that is the magical film making skill and artistic depiction of movies by the Bapu-Ramana duo. Soundtrack was composed by K. V. Mahadevan and Ghantasala and lyrics by A. Nice review..! This is unbelievable stuff. All the tunes for all the songs for both languages are the same. Production began in 1958 but was stopped due to financial constraints. The film was a remake of 1934 film of same name which was also directed by C. Pullaiah. The expectations on Sri Rama Rajyam are very high as it is inspired from Lava Kusa and has been made with rich technical values. The way Maestro picks up the instruments is so unique. Quite the same Wikipedia. Starring. Sri Rama Rajyam (2011) A remake of the 1963 classic Lava Kusa, the Bapu-directed devotional movie revolved around Lord Rama's separation from his wife Sita. What are the incidents that happens next forms the Sri Rama Rajyam Story. Lava Kusa (also spelled as Lava Kusha) is a 1963 Indian Hindu mythological film directed by C. S. Rao and his father C. Pullaiah. ( Log Out /  The fire is burning in Rama for years together to meet and join with Sita. Sri Ramarajyam movie is based on Uttara Ramayanam, i.e., Lava Kusa. It was later remade in Telugu as Sri Rama Rajyam. The story depicts Sri Rama Pattabhishekam and the brief period of Rama Rajyam, Rama sending Seeta exile on hearing the accusations of a washerman, Birth of Lava and Kusa, their visit to Ayodhya, Ashwamedha Yagna and conflict between Rama and his sons and Pattabhishekam of Lava and Kusa and Rama finally ending his Avatar. When she prays Rama to save the world and bring peace, the mood is plural, the whole world, so Maestro brings the groups of violins/cellos to address this emotion. They reciprocate that the history of a person is not required who is going to wage a war and asks Rama to stay away. The melody in the violins (8:40- is the variation/melancholy of ‘nee needaga saaguninka jaanaki yani..sreekaram manOharam id veedani priya bandhamani’. ( Log Out /  Nandamuri Balakrishna plays the lead role as Lord Rama with Nayantara as Seetha. He does not know who is the next heir of the Ayodhya kingdom. Flute, violins, female choir, veena enhances the scene by enhancing Rama’s beauty, as Lava-Kusa describe him as Lord Vishnu. 1. The whole army of Sri Rama started running helter and shelter. There is no music from 2:15-3:10. This is the last longest sequence in the film. Filed under: Sri Rama Rajyam — maestroworld @ 4:26 am . Ramayana: The Epic– A Warner Bros. Indian animated film (2010). Before going there let us step back to remind ourselves that Lakshmana fainted at the war front against Lava-Kusa which now becomes Rama’s responsibility to seize the Aswa-Medha (horse) from Lava-Kusa and thereby liberate Lakshmana. Sri Rama Rajyam : Telugu Movie Review Movie is Good. The film depicts Rama's rule of Ayodhya after he returns home fr… Rama meditates to find out who these kids are and at that exact moment his devotee Lord Hanuman (fetching flowers for Sita’s Lalitha Sahasranamam) who was flying and listening to their conversation spills the flowers as he sees the danger of war happening between a father and sons. What happened at the end of the scene?. The lonely melancholy veena conveys the feeling of Sita towards Rama (at the ashram). Please don’t miss to visit this site which serves as the biggest tribute to Maestro’s music. A big thud @6:09 when Hanuman lands (shaking the whole land around him) adds to the beauty of the score. No, she knows that. Lakshmana was also welcomed by the shower of arrows. Till that time, she was only concerned about her, her children and Rama. Lava-kusa gets angry on hearing this and says this place is not Ayodhya and they are not his sons. As the veena fades away, violins comes over to play the same melody. Please don’t miss to visit this site which serves as the biggest tribute to Maestro’s music. The beauty of this scene is two-fold. The film was produced by Shankar Reddy under Lalita Sivajyothi films. Later she gives birth at Ashram to twins; Lava and Kusa. Nagaraju was eight years old when the filming began. He starts with wind instruments (mostly flute) playing in a sober mood. With Akkineni Nageshwara Rao, Nandamuri Balakrishna, Nayanthara, Srikanth. Maestro decides all these nuances way ahead when composing the song itself, so that when it comes to address those scenes, it is just a matter of where to place it by choosing appropriate instruments. Seamless transition again!. What a moment that would be! The hermits’ wives stop her saying she cannot stop the pooja in between and leave as that will become a curse. Sri Rama Rajyam – Sita handover Lava-Kusa to Rama July 28, 2013. ... Landed here while searching for Sri Rama Rajyam songs. Sita rushes to stop the war and throws away the bows from Lava-Kusa and scolds them that they are fighting with their father. I am blown away by that glide of cellos. Maestro tells us another story through this piece of music. When Rama advances, Lava-Kusa shoots two arrows at Rama’s feet stating the first one is to welcome Rama to the Ashram and the second one is to show their denial for releasing the horse. C. Pullaiah, who was planning to remake his 1934 Telugu language directorial Lava Kusa, agreed to direct it for Sankara Reddy's Lalitha Sivajyothi films. What else can be more appropriate. Pullaiah convinced Rao to take up the task, stating that the emotional scenes in Rama’s palace were of equal importance to the story. The film was shot in both Telugu and Tamil languages with the same title, but with slight differences in the cast. Rama meditates to find out who these kids are and at that exact moment his devotee Lord Hanuman (fetching flowers for Sita’s Lalitha Sahasranamam) who was flying and listening to their conversation spills the flowers as he … Hanuman explains that there is a danger of war happening between Rama and Lava-Kusa and requests her to immediately accompany him to stop the war. Rama refuses to wage war against women and children, but Lava-Kusa reminds him of winning a demon women named ‘thaataki’. In January 2007, M. L. Narasimham of The Hindu listed Lava Kusa with Mala Pilla (1938), Raithu Bidda (1939), Vara Vikrayam (1939), Bhakta Potana (1942), Shavukaru (1950), Malliswari (1951), Peddamanushulu (1954), and Mayabazar (1955) as films impacting society and Telugu cinema. See how slowly the veena fades away from 7:36 and violins (which was playing at the background to the veena) comes to the foreground and plays the same tune of veena (@7:38-7:49). Bapu. An adaptation of the Uttara Kanda from the Mahabharata, Lava Kusa featured Sr NTR in the role of Lord Rama and set the box office on fire. When veena was playing Sita was praying Rama to give long life for their children (as she knows the value of Rama’s arrow, once it is out of the bow, it does not come back unless it hits the target) and also begging for her maangalyam (as the war might turn into anything). While Awadh flourished under the rule of Rama, he was constantly worried about the heir of the throne and his memories of Sita. [15] Rama Rao reprised the role of Rama in a number of films over a two-decade career. The former won the National Film Award for Best Feature Film in Telugu for that year. [8][9] It was released in 26 centres and had a 100-day run in all the centers, which was a record and ran 150 days in all those centers and 175-day run in 18 centres. It has been running continuously for an year and marking its completion today. When the actor was being diagnosed for eosinophilia and became obese, he was offered the role of Shatrughna. What other instrument will be so suitable when he utters that magic word of his beloved? Improved in 24 Hours. With just veena, switching to the war front is difficult, so enable seamless switch over, he opts for violins. If you listen closely, you might find, otherwise it sounds like a totally new melody, just like another song in the same raagam. [2] Kaikala Satyanarayana, Chittor V. Nagaiah, and Sando Krishna were chosen to play the roles of Bharata, Valmiki, and Anjaneya respectively. When it restarted, C. Pullaiah's health was deteriorating, so his son C. S. Rao took over. Change ), Gali Ningi Neeru – A Tribute to Ghantasala, Sri Rama Rajyam – End Credits and Conclusion, Sri Rama Rajyam – End of Rama’s Incarnation, Sri Rama Rajyam – Sita Returns to her Mother …Forever, Sri Rama Rajyam – Sita handover Lava-Kusa to Rama. Another song in the making through this divine melody. Sri Rama Rajyam is the remake of Legend NTR's Lava Kusa. Use of certain rarely used words is impressive! The wind instruments reflect Lava-Kusa’s thoughts, while the cellos tear Rama’s heart. Sita Sings the Blues – 2008, English animated movie; Lava Kusa: The warrior Twins – Animated film, 2010; Ramayana: The Epic – Warner Bros. Indian animated movie,2010; Sri Rama Rajyam – 2011, Telegu film based on Uttara Kanda The story is an adaptation of the Uttara Kanda from Ramayana. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. [3] According to them, Rama Rao and Anjali Devi were "committed to the core". Rao. This song written in the lines of the classic vinuDu vinuDu from Lava Kusa, explains rAmAyaNa from the birth of rAma till the sItArAma swayamvaram. Sri Rama Rajyam is a movie that showcases our ancient culture. He approaches them and showers love on them, but Lava-Kusa express their regret as he abandoned pregnant Sita to the forest. Sri Rama Rajyam  (11)IMDb 6.72 h 48 min2012ALL After getting exiled by Lord Rama, Sita gives birth to Lava and Kusa. :) November 18, 2011 at 11:37 AM The trumpets which lasts for again for 5 seconds indicating the starting of war. Starring Nandamuri Balakrishna, Nayanthara , Akkineni Nageswara Rao, Srikanth, Roja appear in supporting roles and music composed by Ilaiyaraaja. Wonderful ploy by Maestro using the same set of instruments for two different approaches as the emotions are the same for both of them. The film, directed by C Pullaiah and CS Rao, played in most theatres for 75 consecutive weeks and redefined the meaning of commercial success. Adding to that is the magical film making skill and artistic depiction of movies by the Bapu-Ramana duo. The film is based on the epic Ramayana. This is going to be one of the longest score of the film (after Sita’s statue theme). [3], Pullaiah made Nagaraju and Subrahmanyam undergo training for an hour everyday and memorise the dialogues and lyrics of the songs. Remember this in mind that just after this scene Bapu is showing the war front again. Sri Rama Lera song was played when they spent their happy time together the last time (before she was sent to forest). Sri Rama Rajyam is set in the Uttara Kandam of the Ramayana that deals with the story of Lava and Kusha. [2] Rao was reluctant, opining that nothing dramatic was left for him to film. He was a nine year old when the filming began and was 14 when the film released. Just like the rest, the lyrics are simple and beautiful. From 5:56-6:17 we can hear a superb tremolo on a unique instrument (surely it’s not violin, may be a keyboard sound) with violins backing that tremolo finishing on a high crescendo. He gives enough time for their conversation to get heated up and that’s when he starts scoring again. [2] Subrahmanyam was cast after the makers saw him perform the same character in a play staged in Kakinada. Sita turns away from Rama as she decided to walk away from Rama and his shadow. Sri rama rajyam is a 2011 devotional telugu film directed by bapu based on the epic ramayana. The film's script was written by Samudrala Raghavacharya. Sri Ramarajyam movie is based on Uttara Ramayanam, i.e., Lava Kusa. Download Sri Rama Paramdhama song on Gaana.com and listen Lava Kusa Sri Rama … Maestro gives a complete solution there. 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